LOBO electronic recently premiered its first interactive laser show at Germany’s Holiday Park. LOBO’s Alex Hennig said the show worked better than expected, with thousands of audience members eagerly responding to the commands of a laser-projected girl.
The show, performed this summer in the theme park’s Aqua Stadium, [...]
SCIENTISTS are using the world’s largest laser in an attempt to build a star on Earth.
The laser at the Lawrence Livermore National Laboratory is roughly the size of three American football fields, and those in charge of it aren’t joking when they say they’ll create a tiny sun in the next few months.
It’s called the National Ignition Facility and it’s all about finding the holy grail of energy production – nuclear fusion – a high-energy reaction that would theoretically provide limitless energy for humanity.
In a nutshell, the laboratory hopes to split its laser beam up into 192 beams, then fire them at a tiny target wrapped in gold that’s smaller than a fingernail.
For almost as long as visible-wavelength lasers have existed, artists have been inspired by their potential to create stunning visual displays.
As the clock ticked toward the end of the first half of Super Bowl XLIV, two teams huddled on the sidelines, waiting for the signal. Each had a single objective and a tight timeframe for achieving their goal.
But they weren’t looking to score a touchdown. Rather, these teams were the special-effects technicians for the halftime show. They had nine minutes to ensure that 16 powerful lasers were hooked up and safely aligned to a 40-section platform in preparation for a laser show to accompany the performance of the rock group the Who.
More than 100 million people watched the Feb. 7, 2010, performance on television, making it one of the most-viewed laser shows ever. The special effects teams set up two “laser compounds,” one at each 35-yard line on the New Orleans Saints’ side of the gridiron. Each compound had two 50-W Nd:YAG pulsed lasers, cooled with a recirculating-water chiller, plus two air-cooled, full-spectrum units: a 25-W optically pumped semiconductor (OPS) laser and a 13-W diode-pumped solid-state (DPSS) RGB laser.
Laser shows have always held a universal appeal. People from all over the world have enjoyed them at planetariums, concerts, corporate meetings and other venues. In the United States, outdoor laser displays dance across the faces of the Grand Coulee Dam in Washington and Stone Mountain in Georgia. They illuminate the pyramids of Giza in Egypt and the night sky above the Hong Kong business district. Coherent beams of color formed pictures of Olympic athletes against the side of the Sydney Opera House in 2000, and, at the 2010 Olympic Winter Games in Vancouver, 20 lasers were used in a nightly light show in which people from around the world controlled the beams through public Internet access.
How laser shows work
The stunning visual effects of laser shows rely on some of the simplest optical equipment and principles: moving mirrors and the effect known as persistence of vision—which refers to the afterimage that persists when a point of light moves faster than the eye can react to it. The afterimage lasts for roughly 1/25 of a second.
One of the most striking images from The Terminator was the weapon he carried and used in his first attempt on Sarah Connor’s life: the .45 Longslide, with laser sighting. Who can forget the scene in the gun shop? The gun was likewise such a striking presence on screen it was used on the film’s poster. There are T-shirts dedicated to the gun.
Terminator was released in 1984, and while laser sights on weapons are common now, when the film was first shown the red laser was able to communicate something subtle and powerful to the audience: this is a machine, deadly accurate and futuristic. It made the Terminator seem other-worldly and terrifying. At a party during CES, Deputy Editor Jon Stokes and I bumped into some representatives from SureFire, a company that specializes in tactical flashlights. We talked about some of our favorite moments with technology in cinema, and The Terminator came up.
“We created that laser!” I was told. They told me the gentleman who built the prop was named Ed Reynolds, and he was still with the company. More than a little jazzed about bumping into a fun part of film history, we knew we had to get the full story behind the Terminator’s gun.
A European project unveils a fully CMOS-compatible laser source coupled to a silicon waveguide.
A team of researchers from across Europe will present details of a fully CMOS-compatible laser source that is coupled to a silicon waveguide this week. The achievement is a major milestone in a three-year €3.2m project known as WADIMOS (Wavelength Division Multiplexed Photonic Layer on CMOS). The ultimate goal of the project is to demonstrate a photonic interconnect layer on CMOS.
WADIMOS, an EU-funded research project, started in January 2008 and has six project partners. It is co-ordinated by IMEC of Belgium and also involves STMicroelectronics, MAPPER Lithography, Lyon Institute of Nanotechnologies (INL) and the University of Trento.
Working with a circuit design from INL and IMEC, LETI completed the specific process studies for the laser source by adapting and modifying standard III-V materials process steps to comply with a CMOS environment. Specifically, LETI replaced gold-based metal contacts with a Ti/TiN/AlCu metal stack. The circuits were processed on 200 mm wafers at LETI’s facilities.
The small California start-up we wrote about last year is in the news again as more details about HDI’s laser-powered 3D TV are released. HDI-US Inc. already has orders for its prototype 103-inch 3D HDTV and is now actively marketing itself as a television manufacturer and not just a 3D solutions licensor. HDI’s platform [...]
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